Please use this identifier to cite or link to this item: http://dspace.centre-univ-mila.dz/jspui/handle/123456789/2243
Full metadata record
DC FieldValueLanguage
dc.contributor.authorإبتسام, جوامع-
dc.date.accessioned2023-01-19T09:55:27Z-
dc.date.available2023-01-19T09:55:27Z-
dc.date.issued2022-09-
dc.identifier.citationدراسات أدبيةen_US
dc.identifier.urihttp://dspace.centre-univ-mila.dz/jspui/handle/123456789/2243-
dc.descriptionThe objective correlative is considered as one of the most important strategies employed in contemporary poetic discourse, and the Algerian poetic text has also accompanied these contemporary critical techniques, especially as it builds extensive semantic networks through allusion that established for deep research studies, and this study dealt with the manifestations of objective correlative in the poetry of the Algerian poet Ahcene Douas , as a critic who establishes the construction of a new text that opens up to the Anglo-American school by virtue of his critical background. This research tried to examine how he built meaning in his five collections of art through an interpretive semiotic approach that opened the horizons of reading, research, and eliciting meanings that took the characteristic of infinity, condensation and geometric construction of the idea.. And because the fact that the poet critic “TS Eliot” treated the objective correlative as a mental entity for a unique creative state since it is an alternative to sentimental attitudes transmitted to the recipient and arousing in him the emotion of the text. wherebythe extent of the success of the objective correlative is measured by its deep ability to penetrate the other and influence it, and this required to consider the backgrounds of the objective correlative, and scrutinize what emerged from the latter through an applied study that monitored the analysis of the poeticity of poetics of theperceiving self and what is associated with it, and this required the study of how to rise the poetic term through transcending the meta-meaning towards meta-metaphysical, the metaphysical dimension of the personality was identified, which manifested through its close association with the mpersonality of the poem. In the same degree It required other research steps that depended on the rizontality of the dramatic construction of the text, which resulted in structuring the Imagistic figurative structure of the poetic discourse and determining the techniques it adopted that contributed to the crystallizing of the ntellectual content through the poetic stance, and then monitoring the various forms taken by the objective correlative in contemporary discourse through the poet’s collections , where the embodied critical awareness was anifested, especially as it aims to build a new Algerian poetic text according to solid intellectual, ideological, artistic and critical backgrounds.en_US
dc.language.isoaren_US
dc.publisheruniversity center of abdalhafid boussouf - MILAen_US
dc.subjectالمعادل الموضوعي، شعرية الشعرية، لاشخصانية القصيدة، ماو ا رءالماو ا رء، البعد الميتافيزيقي لمشخصية، ت.س.إليوت، أحسن دواس.en_US
dc.subjectobjective correlative, poetic poeticity, impersonal poem, meta-meaning, metaphysical dimension of personality, T.S. Eliot,Ahcenedouasen_US
dc.titleالمعادل الموضوعي في شعر أحسن دواسen_US
dc.typeThesisen_US
Appears in Collections:Arabic language and literature

Files in This Item:
File Description SizeFormat 
مذكرة المعادل الموضوعاتي في شعر حسن دواس.pdf5,71 MBAdobe PDFView/Open


Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.