العتبات النصية في ديوان كاليغولا يرسم غرنيكا الرايس ل "عز الدين ميهوبي"

صبريه, رميتة

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DC Field	Value	Language
dc.contributor.author	صبريه, رميتة	-
dc.date.accessioned	2021-11-11T10:48:26Z	-
dc.date.available	2021-11-11T10:48:26Z	-
dc.date.issued	2021-09	-
dc.identifier.citation	تخصص: أدب جزائري	en_US
dc.identifier.uri	http://dspace.centre-univ-mila.dz/jspui/handle/123456789/1297	-
dc.description	This study aimed to reveal the textual thresholds as texts parallel to the internal text. Our choice fell on the Diwan : "Caligula paints Guernica al Rais" for "Azeddine Mihoubi "to be on applied model . Which We tried to complete a Reading from for reveal the parallel texts surrounding the poems of inner Different from: titles accompanying picture, an hor's mame, dedication ..., trying to cross every threshold and show its meanings and her interpretations . this study raised the following problem: is the presence of thresholds in the study blog an aesthetic presence? Or is it necessary and has a purpose ? this study consisted of twochapters, theoretical and applied, through which we concluded that: Textual thresholds are textual parallels to the internal text that illuminate its entrances to the reader and reveal What is hidden from it	en_US
dc.language.iso	ar	en_US
dc.publisher	university center of abdalhafid boussouf - MILA	en_US
dc.subject	العتبات النصية , النص الداخلي , عز الدين ميهوبي , كاليغولا يرسم غريدكا في الرايس	en_US
dc.subject	Textual thresholds, Internal text, Caligula paints Guernica at Rais, Azeddine Mihoubi	en_US
dc.title	العتبات النصية في ديوان كاليغولا يرسم غرنيكا الرايس ل "عز الدين ميهوبي"	en_US
dc.type	Thesis	en_US
Appears in Collections:	Arabic language and literature

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