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DC Field | Value | Language |
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dc.contributor.author | معاذ , بن جدو , بوقزولة حسان | - |
dc.date.accessioned | 2023-10-22T10:36:41Z | - |
dc.date.available | 2023-10-22T10:36:41Z | - |
dc.date.issued | 2023-06 | - |
dc.identifier.citation | أدب جزائري | en_US |
dc.identifier.uri | http://dspace.centre-univ-mila.dz/jspui/handle/123456789/3001 | - |
dc.description.abstract | Parody is an expressionist deviation used in narrative texts, and it is one of the arts of black humor. It was used by the writer Faisal Al-Ahmar through artistic stages that reflected his rejection of some traditional concepts, ideologies, and prevailing social systems through verbal and objective rebellious ridicule. He also sought to create a satirical parody dialogue between him - the author - and him. The recipient, in order to broadcast an inciting speech against the well-established appearances rejected by him as a writer, so the parody is often a hidden symbol in the effect of which the writer expressed through his text "the conscience of the speaker" as a reading and a questionnaire about the use of mechanisms and methods of parody | en_US |
dc.language.iso | ar | en_US |
dc.publisher | university center of abdalhafid boussouf - MILA | en_US |
dc.title | الباروديا الساخرة في رو اية " ضمير المتكلم " لفيصل الأحمر | en_US |
dc.type | Thesis | en_US |
Appears in Collections: | Arabic language and literature |
Files in This Item:
File | Description | Size | Format | |
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الباروديا الساخرة في رواية ضمير المتكلم.pdf | 6,59 MB | Adobe PDF | View/Open |
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