الأنساق الثقافية في رواية " العشق والموت في الزمن الحراشي " للروائي الجزائري الطاهر وطار

مريم, محمود

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DC Field	Value	Language
dc.contributor.author	مريم, محمود	-
dc.date.accessioned	2021-11-16T12:55:59Z	-
dc.date.available	2021-11-16T12:55:59Z	-
dc.date.issued	2021-09	-
dc.identifier.citation	تخصص: أدب جزائري	en_US
dc.identifier.uri	http://dspace.centre-univ-mila.dz/jspui/handle/123456789/1311	-
dc.description	My study aims to study the cultural, ideological and religious pattems found in the novel Love and Death in the Harrachi era of the Algerian writer Taher Watar to decipher the writing codes of Wattar and the hidden secrets tucked in his novel, and from it its title was tagged with "Cultural patterns in the novel of Love and Death in the Harrashi Time of Taher." I divided this research into two chapters, a theoretical chapter consisting of concepts about cultural criticism And it was distributed to investigations. As for the applied chapter, it included the manifestations of cultural patterns in the novel and its presence through the implicit patterns that it contained, which played a role in revealing the secrets of the nationalistic thought and its purpose in writing and the manifestations of the presence of the expensive history in the novel and the emergence of the dominant ideological pattern on the text One of the results of my research was that this research is a tip of the iceberg, and that it is a drop of ink, for "Love and Death in the Time of the Harrachi" is a collection of patterns along the lines of ideology, feminism, religion, cultured heritage, and from it this novel was created. Originally	en_US
dc.language.iso	ar	en_US
dc.publisher	university center of abdalhafid boussouf - MILA	en_US
dc.title	الأنساق الثقافية في رواية " العشق والموت في الزمن الحراشي " للروائي الجزائري الطاهر وطار	en_US
dc.type	Thesis	en_US
Appears in Collections:	Arabic language and literature

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