شعرية التناص في ديوان تهمة المتنبي _ الشعراء لا يدخلون الجنة؟؟؟_ لعلاوة كوسة

شيماء, قدرز, لعشيبي سارة

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DC Field	Value	Language
dc.contributor.author	شيماء, قدرز, لعشيبي سارة	-
dc.date.accessioned	2021-11-16T11:05:27Z	-
dc.date.available	2021-11-16T11:05:27Z	-
dc.date.issued	2021-09	-
dc.identifier.citation	تخصص: أدب جزائري	en_US
dc.identifier.uri	http://dspace.centre-univ-mila.dz/jspui/handle/123456789/1308	-
dc.description	This study aims to reveal the term intertextuality, as it is a new critical phenomenon in many western and Arab studies, as its concept, is based on invoking pervious texts and employing them in a new text.Intertextuality as a procedural tool is an idea that has origins in our critical heritage, and it was known (thefts, implication, uotation) contemporary critics reformulated it anew, so many literary trends and western critical schools contributed to their analyzes relying on the mechanism of intertextuality, including Muhammad Moftah and Muhammed yaktin… This research contained the most important types of intertextuality and its mechanisms, which are considered the highest levels of dealing with the absent text, and all this contributed to enriching the poet's poetic experience and emphasizing his ingenuity. The research concludes them to identify the features of the artistic sensory images of the poet Allowa Kaussa, and to explain the methods he employed and what he added to them in his style and poetics.	en_US
dc.language.iso	ar	en_US
dc.publisher	university center of abdalhafid boussouf - MILA	en_US
dc.title	شعرية التناص في ديوان تهمة المتنبي _ الشعراء لا يدخلون الجنة؟؟؟_ لعلاوة كوسة	en_US
dc.type	Thesis	en_US
Appears in Collections:	Arabic language and literature

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