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dc.contributor.authorعفيفة, فغرور, عميمور نورة-
dc.date.accessioned2021-11-10T09:44:37Z-
dc.date.available2021-11-10T09:44:37Z-
dc.date.issued2021-09-
dc.identifier.citationتخصص: أدب حديث ومعاصرen_US
dc.identifier.urihttp://dspace.centre-univ-mila.dz/jspui/handle/123456789/1280-
dc.descriptionThe short short story is considered one of the prosaic arts, which has been in vogue, firstly in the Western World, subsequently in the Arab World, from the thirties of the Twenty Century. This art was then characterized, amongst other arts, by many features specifying it. Therefore, the short short story becomes one of the most important literature productions, in this era; it went along with fast advances the world ended up in, and spread all over. This narrative prosaic genre is characterized by the fact that the narrator makes use of symbolization and innuendo style; so as the message would be meaningful and brief, expressed in few words, thanks to the use of symbolic style in the stories. This is clearly noticed in the stories of Al Jeneidi, which dealt with many sensitive social and political matters; such as: the feminine authority, the social classes, conspiracies, political manipulations and many other stories in which many symbols have been used, some of which were explicit such as ox and Yusuf Shirt (…), others were implicit such as the symbol of Anqa which was created by a wreck symbolism (…). It is to say that the narrator set out an implicit critics to the Arab reality throughout these short storiesen_US
dc.language.isoaren_US
dc.publisheruniversity center of abdalhafid boussouf - MILAen_US
dc.subjectالرمز , القصة القصيرة جدا, السيماء, رامي الجنيدen_US
dc.subjectSymbolism.  Short short story.  Semiotics.  Rami Al Jeneidien_US
dc.titleتوظيف الرمز في المجموعة القصصية "أربعون رصاصة تكفي" لرامي عبد الله الجنيديen_US
dc.typeThesisen_US
Appears in Collections:Arabic language and literature

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